At Northforge, we were proud to contribute to Quadrophenia, A Mod Ballet — a bold reimagining of Pete Townshend’s iconic 1973 rock opera. This contemporary dance adaptation brings the story of Jimmy, a conflicted mod in search of identity, to a new generation through music, movement, and striking visuals.
Our task was to create a photorealistic wave animation that mirrored Jimmy’s emotional journey, from calm reflection to turbulent transformation. Collaborating closely with the production’s designers and choreographer, we crafted waves that moved not just with technical precision, but are also an expressive extension of the performance.
The result is a seamless blend of digital artistry and live storytelling that deepened the audience’s emotional connection to this timeless work.
When we were invited to create the key animation sequence we knew it wouldn’t be just another backdrop. The photorealist wave needed to breathe, react, and move in step with the dancers, becoming a living, emotional layer of the performance.
We began by working closely with the designers at Yeast Culture and the choreographer to understand the tone of the scenes we were enrolled for. The wave wasn’t just water, it represented Jimmy’s mental state: calm, erratic, destructive, redemptive.
Every crest and crash had to echo the rhythm of the dancers’ bodies and the music itself. The realism of our animation was key to convincing the audience that they are looking at actual footage, only we have the ability to control every aspect using a realtime renderer.
What made this project particularly exciting (and challenging) was our use of a new animation software, LiquiGen. While it opened up new possibilities for fluid simulation and real-time responsiveness, it also came with a steep learning curve.
There was plenty of troubleshooting and experimentation on how to get the movement just right without overwhelming the stage visuals or the dancers’ timing. Once mastered though we were able to respond very quickly to responses from the performance team, something that would not have been possible using Houdini alone.
Texturing and style were also a key focus. We needed something that felt tactile and analog, not overly polished — to match the gritty, mod-era aesthetic of the production. This led us to blend digital techniques and atmospheric effects to give the waves a sense of depth and weight.
The final result was a wave that didn’t just support the story, it became a silent character on stage. It rises and falls with Jimmy’s psyche, reacting to the choreography in real time.
This project pushed us creatively and technically, and we’re incredibly proud of the outcome. Quadrophenia, A Mod Ballet reminded us how powerful animation can be when it’s woven into the fabric of live storytelling.
Credits: OOH Images - BuildHollywood and Steven Wiggins www.buildhollywood.co.uk